![]() ![]() To create a tearoff toolbar for a group of related tools, press and hold on the arrowhead for a tool, then click the vertical tearoff bar on the right edge of the menu. You can cycle through tools on the same menu by Option/Alt clicking the visible tool. To convert the panel layout from single column to double column or vice versa, either click the double arrowhead at the top or double-click the top bar.Ĭlick once on a visible tool to select it, or click and hold on a tool that has a tiny arrowhead to choose a related tool from a fly-out menu. If the panel is hidden, choose Window > Tools to display it. In addition to the tools on the Tools panel, which are used for creating and editing objects, you will also find color controls, a menu or icons for choosing a drawing mode, and a menu for choosing a screen mode. Hide or show all the currently open panels but not the Tools panel or tearoff toolbars Hide or show all the currently open panels, including the Tools panel and tearoff toolbars Note: To open a panel that isn’t already in a dock, choose the panel name from the Window menu. Following that, you’ll find instructions for using the Tools panel, a brief description of each tool, an introduction to the Control panel, then a description and illustration of all the other Illustrator panels that are used in this book (in alphabetical order). You can read through this chapter with or without glancing at or fiddling with the panels onscreen, and also use it as a reference guide as you work. The Illustrator panels that are used in this book * ![]() Note: In-depth instructions for using specific panels are amply provided throughout this book. Here you will see what the individual panels look like and be briefly introduced to their specific functions-from choosing color swatches (Swatches panel) to switching among artboards (Artboards panel) to editing layers (Layers panel). In the preceding chapter, you learned how to arrange them onscreen. This chapter will help you become more intimately acquainted with the Illustrator interface features that you will be using continually as you work: the panels. The Illustrator panels that are used in this book 37.I think using the methods Illustrator provides for “exporting” is the way to go, and then saving original artwork in the native Illustrator format. You also need to be careful to get the settings right, for example, leaving “Preserve Illustrator Editing Capabilities” off, otherwise you’ll get TONS MORE cruft, like That stuff will get stripped out if you’re using optimizing software like SVGO, but that’s not a part of everyone’s SVG workflow all the time. I just always avoid saving SVG in that way as that’s the way you get all the cruft. That’s what we were aiming for, so I’m glad there is a way!Īh yes! True. The viewBox will then reflect the artboard and the space we have left around the art. You can do that from the Export for Screens dialog. The trick in preserving the space is to export the artboard itself. The Asset Export panel is mighty handy, but you the export crops to the art and there is no way to change that. It’s fairly optimized, cruft-free, and pretty much ready to use on the web.īut… it crops to the art with no option to change that, so we’ll lose the space around that we’re shooting for here.Ī possible work around here is putting a rectangle behind the art with the spacing around it we need, but then we get a rectangle in the output, which shouldn’t be necessary. The “Export As” feature supports SVG, and you’ll likely be pretty pleased with the output. They are already calling this a “legacy” feature, so I imagine it’ll be gone soon. THE CLAW! You’ll see space around here, but unfortunately the classic Save for Web dialog doesn’t export as SVG at all, so that’s not really an option. Say you want that space around it, and you want to save it as SVG for use on the web. Note how the art doesn’t touch the edges of the artboard. Say you have a graphic like this in Adobe Illustrator: ![]()
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